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Earlier this year Sara Rajaei was in residency in Bergen, and commissioned to develop a new video work. The resulting work is now being screened at 3,14. The residency was a collaboration between 3,14 and BEK, and happened as part of the CIRCULATING AiR program at 3,14.
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Karen Eide Bøen and Roar Sletteland have created a dance performance for four turntables and a dancer, where they examine the relationship between body, sound, turntables and room. The Table Turns is about freedom and power on the dance floor. It’s about LPs, stored movement, solidified vibrations and sound that revived matter.
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The Italian writer and curator Leandro Pisano visits BEK, and will give a presentation on “The Third Soundscape”. Leandro Pisano is the director of Interferenze New Arts Festival, and his projects and writings focus on new media, sound and technological arts. During the stay in Bergen he will also meet with a number of local sound artists.
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Espen Sommer Eide is exhibiting his sound work “The Distribution Of The Audible” at Øyafestivalen from the 9th-13th of August. The work consist of approximately 30 sound clips recorded all over the world and played through old horn speakers at the festival.
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The audio-visual installation “The Atmospherics 5: Stop, Hey, Watch That Sound” by Trond Lossius and Jeremy Welsh is exhibited in the “Høgsalen” project space at Sogn og Fjordane Art Museum in Førde. During the opening of the exhibition Bergen Barokk enters into an improvisational dialogue with the installation.
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Ingeborg Annie Lindahl – Trond Lossius The exhibition at Stiftelsen 3,14 combines a 32 meter mural chalk drawing and 12 channel surround sound into an immersive installation. Drawings and sound are developed on site over five hectic days in front of the opening. Lindahls chalk-drawing continues to evolve throughout the exhibition period, and as the exhibition period comes to an end, the drawing end in destruction.
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Marieke Verbiesen will travel to the Hiroshima International Film Festival between 18th and 22nd of August to present her interactive installation M-Machine to the Japanese audience.
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In her solo exhibition “Standard Primitives”, Magnhild Øen Nordahl presents three new works made especially for this exhibition at Hordaland kunstsenter: A sculpture series, an animation film and a video work. Filming and editing is supported by BEK.
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The performance Those that have been left behind will be shown at the Penghao Theater in Beijing as part of the avant-garde theatre festival Beijing NLGX Art Festival on July 9 and 10. BEK is co-producer of the performance.
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Ursus produksjoner har produsert en nyskrevet opera og Sigurd Fischer Olsen har komponert musikken. Verket er bestilt av BEK, og støttet av Norsk kulturråd. Bildene er fra forestillingene, og fotografert av Thor Brødreskift.
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